science fiction author, beatmaker, against fascism

Author: J.D. Moyer Page 50 of 104

J.D. Moyer is a science fiction author and electronic music producer from Oakland, California.

One Weird Trick To Get Skinny, Rich, Tan, and Live Forever (No Car Experiment)

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My U.S.-made $200 fixie from criticalcycles.com

Title is of course tongue-in-cheek. But Kia and I are both leaner, richer, tanner, and healthier from the experiment thus far.

We’ve just completed our first month of not owning (or leasing) a car. So far, so good. In fact, we’ve committed to at least one more month of not owning/leasing. We started the experiment with a few questions in mind:

  • Would not owning/leasing a car be more or less expensive than combined costs of lease, insurance, gas, and fees?
  • Would it be more or less convenient?
  • In what other ways would it change our lifestyle or perspective?

You Can’t Get There From Here (Get Better by Temporarily Getting Worse)

Into the valley.

Into the valley.

There is a cost to trying to maintain maximum fitness at all times.

When navigating a fitness landscape, you often need to go down (into a valley) to reach a higher peak.

Upgrading your life systems (in every life area) has costs. If you’re never willing to pay those costs (emotional, financial, time, energy, learning curve), you limit yourself.

Example 1 (Social):

Sometimes your friends hold you back. I had a tough time in 7th grade — my friends were frenemies. Before things got better, they had to get worse. I endured a period of loneliness until I found new friends, who really acted like friends.

Switching to Self-Publishing Was Probably a Mistake

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Writers: This post is about music self-publishing, but also I get into the implications for writing self-publishing towards the end of the article.

I recently put together my Discography page, which gave me an opportunity to reflect on my music career to date. I’ve released original music on almost every kind of label, including a major (SONY/BMG), a barely-organized collective (Trip ‘n Spin Recordings), small imprints (SOG, NuRepublic, Kubist, Spundae, Dorigen, POD, Mechanism), my own label (Loöq Records), “big independents” in dance music culture (Global Underground, Armada, Bedrock, Renaissance), and distribution/A&R deals (3 Beat, Silent Records).

My most active period of writing and releasing music was in my late twenties/early thirties. Creating dance music (house, techno, breaks) was my singular, obsessive focus. That period was also the heyday of Qoöl, the weekly event I threw with DJ Spesh at 111 Minna for over a decade (hugely popular, with a packed dance floor and lines around the block), so I also had a deep sense of musical community, and also a great testing audience for new tracks.

At some point, around 2005, we (myself and my primary music collaborators, Spesh and Mark Musselman, the other halves of Jondi & Spesh, and Momu, respectively) stopped sending out demos to other labels, and started releasing music almost exclusively on Loöq Records. This wasn’t a conscious strategic career decision — it was just easier. I was co-running a respected, profitable label, so why not release my music on it? Benefits of self-publishing (or at least “own label” publishing) include:

Investing a Lump Sum, Part I: The Dangers of Wealthfront

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Ready to stuff under the mattress.

Wealthfront is a new company that manages your investments according to an allocation plan that you decide. Primarily they invest in low-fee ETFs. Generally I like the idea of what Wealthfront offers, but there are some significant risks.

Generally I think asset allocation is a good investment strategy. Pick sectors that don’t usually correlate (bonds, stocks, possibly real estate, gold, commodities), decide on percentages that make sense given your age and risk tolerance (your age in bonds, as a percentage, is a common rule of thumb), and rebalance every year or so. I provide details on exactly how to do that in my post How to Get Rich Slowly Without a High-Paying Job, including Google Sheet examples and projections.

However …

I’m concerned about the following scenario:

  1. Millennials, many of whom are more financially savvy and conservative than they are given credit for, choose services like Wealthfront to automate an asset allocation investment approach.
  2. After answering the questions in the Wealthfront asset allocation questionnaire, they select an allocation plan that is something like 80% stocks. This is because they are all young and all think they have a high tolerance for risk (most of them will find out later that losing money isn’t as fun as they thought it would be).
  3. They invest their hard-earned savings nut, buying into the stock market when the Shiller PE Ratio is well-above 20 (months ago it was up to 26). The Shiller PE Ratio, which includes historical earnings in its calculation, isn’t meant to be used as a market timing indicator, but historically it has predicted long-term returns quite accurately.

Investing 80% of your life savings in the stock market when the Shiller PE Ratio is this high is not wise. So what’s an alternative approach?

Choose an Automated Plan, but Lean Conservative (and Adjust Later)

I like the Wealthfront service. If I were to create my own investment management company, it would operate pretty much in the same way. Though I’m not an early adopter, I might even use it myself down the road (though probably not — I enjoy managing my own investments). But I wouldn’t rule it out. For the ostrich investor, it’s an ideal service.

My only criticism is from what I can tell, it’s too easy to end up with a very high stock allocation, which, under these market conditions, is damn risky. If your initial nut is $1000 and you are investing $1000 a month, the initial allocation doesn’t matter as much. Over time, you’ll be buying low more often than not (the automated allocation algorithm will do that for you–if the stock market plummets then the algorithm will have to buy more stocks to maintain your allocation percentage).

But if you invest $20K and then add $500 a month, the initial allocation makes a big difference. If you are 80% stocks, and the stock market tanks hard over the next few years (look how much it has gone down just in the last few months) then you’ve just taken a big hit, especially if you consider how much that initial investment can compound over 30+ years.

My simple advice for new Wealthfront investors is this: don’t go over 50% allocation in stocks while the Shiller PE Ratio is over 20, no matter what your allocation questionnaire results say, if you are investing a significant initial amount. Start with a more conservative allocation, then take a look in a few years. If the Shiller PE is closer to 15, or even 18, then up your stock allocation percentage (risk tolerance) as high as you want.

Usually asset allocation percentage adjustments go the other way — reduce your stock market exposure as you get older. But for young investors I would recommend the opposite at this point.

Is this strategy the same as trying to “time the market”? The Wealthfront blog offers a good argument as to why you shouldn’t change your risk tolerance score all willy nilly every time the market moves. You’ll end up selling low.

I’m simply suggesting that you don’t buy high, with all your money. If you want to make money long-term in the stock market you need to get in somehow, but there’s no reason you can’t limp in. It’s just safer that way.

Of course I could be wrong. The biggest stock market rally of all time could be about to begin, defying all historical trends. What do I know? I’ve made every investment mistake in the book.

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Kleidosty – Strange Skin (and choosing the creative life)

LQ-1189_800I was up at the Echo Lake Berkeley Family Camp with my family and Jason Kleidosty’s family. Jason had brought his laptop and headphones and worked on his ambient music in the evenings, drinking a beer and watching the post-sunset glow from a cliff-top bench. I left my computer at home but did my fiction scribblings each morning in my notebook, drinking high-octane coffee from the bottomless cafeteria urns. Early mornings and late evenings were the quiet times of the day — family waking hours were filled with the sounds of screaming children (some joyful, some tantrums). Children love to scream.

Nobody was making us work. The rewards? Who knows. Is anyone besides Boards of Canada making a living from ambient music? Some science fiction writers I idolize, and who have tens of thousands of fans (or at least Twitter followers) toil away at day jobs. Creative efforts, even from the most talented and hardworking, don’t always make ends meet. I make most of my money solving database problems. Sometimes I fantasize about alternatives. I suppose I could write and sell a hair-regrowth eBook, but I can’t bring myself to do it. I’d rather write a long treatise on medieval polearms and sell it on dmsguild.com. I’ll bet I could make dozens of dollars. But I need an illustrator.

The reason we create, and keep creating, is because the reward is immediate. The process is the payoff. If it isn’t, find something else to do. If you succeed at the activity, the reward is doing more of that activity. Are you okay with that? Spend time doing things you enjoy, period.

Why would someone write a sixteen minute instrumental track with no hummable melody? Well, I’m glad he did. I get lost in the track. I can’t stop listening to And/Or. Just pop off the top of my skull and wire up my brain with the intergalactic quantum orchestral strings.

Which is to say, Strange Skin, the new album from Kleidosty, is out today. Please rate if you purchase, and leave a review if you like.

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