science fiction author, beatmaker, against fascism

Tag: Momu Page 2 of 5

Career Advice I Wish I’d Received at Age 20

It’s possible to have a career without really thinking about it. Nothing wrong with that. I’ve had at least three-and-a-half accidental careers so far.

  • I started doing computer support and database design right out of college, just a few hours a week, at my dad’s friend’s company, learning as I went. Ten years later I was the Senior Database Administrator for the San Francisco Symphony, and I still do freelance db work to this day as my main source of income. But none of my friends ever remember this, because it’s so boring that I never talk about it.
  • My record label business partner wanted to start a weekly happy hour at an art gallery. I thought it was a terrible idea. The ayahuasca-snorting gentleman he initially partnered with to throw the event got a little squirrelly and they parted ways. I reluctantly stepped in, and under our management we had a decade-plus run as one of the biggest dance music events in San Francisco, lines around the block, written up in international guide books, DJs from around the world eager to play to our crowd.
  • I had no interest in DJing. But we needed to promote our album. So I learned to DJ at my own party, trainwrecking mix after mix. Spesh put me through DJ bootcamp and I got a little better. Soon we were headlining the biggest dance clubs in San Francisco, voted among SF’s Top DJs in the Nitevibe poll, on the cover of The SF Weekly, and touring in Europe. But eventually I quit because I don’t like travelling, or listening to hundreds of promo tracks to find the few good ones.
  • I started a blog in 2009. I can’t remember why. Probably to practice writing, to express myself, to share my ideas. Eventually some of my health posts (about sleep and artificial light, about the paleo diet) got popular. The blog hit a million views. CNN interviewed me. A TV show The Doctors flew me to Hollywood to be a guest. I experimented with advertising. Then I wrote a post about how I regrew some of my hair by intensively massaging my head, and things went crazy. Views through the roof, readers begging me to make instructional videos, asking for personalized advice. Should I take up hair regrowth coaching? I thought about it. Maybe I could help Tim Ferriss regrow his hair, or Prince William. But I’m not patient enough to be a coach, and I didn’t want to be the hair guy. Or another paleo guy. So I made it clear to my readers that though while I would still write the occasional health post, the content of this blog was much broader (systems for living well, self-experimentation, the creative life).

How I Broke Into the Music Business and Made $100K

Jackie at the old Loöq Records office on Brannan.

Jackie at the old Loöq Records office on Brannan.

As I’m trying to launch a new career (fiction writing), I’m also taking stock of an old one (producing electronic music). I signed my first track in 1992, at the age of 23, to Mega-Tech records (an offshoot of the famous San Francisco disco label Megatone). I released my latest record, a reggae/breaks hybrid track, a week ago.

Breaking in wasn’t easy. I remember vividly sending out cassette tape demos in padded mailers to record labels in New York City and Los Angeles, following up via phone, and getting shot down by arrogant label runners (I’ve made a point to never be mean, running my own record label, even though our signing bar is very high).

Switching to Self-Publishing Was Probably a Mistake

looq_red_blackborder_700

Writers: This post is about music self-publishing, but also I get into the implications for writing self-publishing towards the end of the article.

I recently put together my Discography page, which gave me an opportunity to reflect on my music career to date. I’ve released original music on almost every kind of label, including a major (SONY/BMG), a barely-organized collective (Trip ‘n Spin Recordings), small imprints (SOG, NuRepublic, Kubist, Spundae, Dorigen, POD, Mechanism), my own label (Loöq Records), “big independents” in dance music culture (Global Underground, Armada, Bedrock, Renaissance), and distribution/A&R deals (3 Beat, Silent Records).

My most active period of writing and releasing music was in my late twenties/early thirties. Creating dance music (house, techno, breaks) was my singular, obsessive focus. That period was also the heyday of Qoöl, the weekly event I threw with DJ Spesh at 111 Minna for over a decade (hugely popular, with a packed dance floor and lines around the block), so I also had a deep sense of musical community, and also a great testing audience for new tracks.

At some point, around 2005, we (myself and my primary music collaborators, Spesh and Mark Musselman, the other halves of Jondi & Spesh, and Momu, respectively) stopped sending out demos to other labels, and started releasing music almost exclusively on Loöq Records. This wasn’t a conscious strategic career decision — it was just easier. I was co-running a respected, profitable label, so why not release my music on it? Benefits of self-publishing (or at least “own label” publishing) include:

Personal Update, Track Download, Upcoming Posts

Momu-vs-U2

Happy 4th of July! For you international readers, here’s a handy guide to the holiday and other Americanisms. I will be celebrating the holiday by participating in a secret tournament, the results of which I shall report upon later.

I have exactly ten minutes to write this post, so I’m going with bullet points:

  • Momu is rereleasing a bootleg we did a few years back. Click on the picture above to direct link to the mp3, or go to the Momu Download page. Momu’s new album The Mission is available on iTunes (and everywhere else), with our track “Google Bus” being the clear favorite. The “Dub Pack” remixes of “Sixth & Mission” can be previewed here. Please take a second to Like us if you want to keep up with Momu releases.
  • June was “Only New Music Month” — an experiment I did with Never Knows aka Marc Kate of the Why We Listen podcast. I’ll write a post about the experiment soon — in short it was not that difficult and fantastically rewarding. I would recommend it for everyone, especially if you feel in a musical rut.
  • Some progress in fiction writing. Finished 4th draft of my science fiction novel The Sky Woman and 2nd draft of its sequel The Guardian. I’ll be writing and submitting short fiction for the remainder of the year. If you know (or are personally) an agent or publisher who appreciates science fiction, I would love to send you my work.
  • Future posts will include a hair regrowth update, how to invest a lump sum (following up on this post), and more about refining systems for creative work.

Stay hydrated, unburnt, and very much alive this weekend, my friends and readers!

Momu Mobile Studio Setup (MOMU-MSS): Making Electronic Music on the Road

Momu's Mayakoba mobile studio setup.

Momu’s Mayakoba mobile studio setup.

I recently had the opportunity to enjoy an all-expenses-paid resort trip to Playa del Carmen, Mexico with Mark Musselman (the other half of Momu). While I’d written plenty of music on the road with an ultra-minimal laptop + headphones setup, this was the first time attempting to travel with a “mini-studio” that would make collaborative beat-making easy and fun and not involve additional checked luggage. The vacation (or “creative sabbatical”) happened to coincide with the release of Momu’s new album The Mission (now available on Beatport, also presale until April 8 on iTunes and Amazon).

When planning our gear we knew we needed the following:

Page 2 of 5

Powered by WordPress & Theme by Anders Norén