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The Guardian Book Launch, and a New Published Story

Thank you so much to everyone who came out to East Bay Booksellers in Oakland for the launch of The Guardian! We had a full house, the books sold out, and I think I’m getting marginally better at reading my own work (despite some minor microphone malfunctions). Wine, cookies, and pretzels were consumed, books were signed in gold sharpie, and — as far as I could tell — a good time was had by all.

Reviews so far are great, at least in terms of average ratings. I could definitely use more reviews; as of today I only have nine reviews on Goodreads and three reviews on Amazon. If you’ve read The Guardian please take a second or a few minutes to leave a rating or review (both appreciated, including short one sentence reviews). As I’ve acknowledged before, writing reviews is much harder than it feels like it should be, so I will definitely owe you one if you write me a review (feel free to cash in if you need me to water your cat or walk your plant while you’re on vacation).

Reclaimed Earth

The Guardian is exactly what I’m hoping for when I pick up a sci-fi novel – richly descriptive worlds; the scientific elements are advanced and incredible but written in such a way to be plausible and the interesting, generally sympathetic cast of characters are thrust into situations which are exciting and thought-provoking. – Karen Cole (Hair Past a Freckle Book Blog)

If  you’re not familiar with my Reclaimed Earth science fiction series, here’s a blurb to give you taste of what’s going on:

In the year 2737, Earth is mostly depopulated in the wake of a massive supervolcano, but civilization and culture are preserved in vast orbiting ringstations. Tem, the nine-year-old son of a ringstation anthropologist and a Happdal bow-hunter, wants nothing more than to become a blacksmith like his uncle Trond. But after a rough patch as the only brown-skinned child in the village, his mother Car-En decides that the family should spend some time on the Stanford ringstation. Tem gets caught up in the battle against Umana, the tentacle-enhanced ‘Squid Woman’, while protecting a secret that could change the course of humanity and civilization.

I’ve had some generous reviews from book bloggers, including Karen Cole who writes: “The Guardian is exactly what I’m hoping for when I pick up a sci-fi novel – richly descriptive worlds; the scientific elements are advanced and incredible but written in such a way to be plausible and the interesting, generally sympathetic cast of characters are thrust into situations which are exciting and thought-provoking.”

The Sacramento Sea

My first ever cli-fi story The Sacramento Sea was just published in Issue #14 of Into the Ruins, a deindustrial/post-industrial/economic collapse magazine edited by Joel Caris. Whether you’re an optimist or a pessimist regarding the fate of humanity (or the fate of humanity’s ongoing “civilization” experiment) it’s useful to imagine collapse scenarios. It’s useful because they are continuously happening (Puerto Rico, Haiti, the U.S. Executive Branch), even if your part of the world is peaceful and overflowing with abundance. My short story imagines a devastating, isolating local environmental collapse in California as the rest of the world continues business as usual. That seems to be the way these things often play out. Of course global economic and/or environmental collapse is possible (and some would say probable), but localized collapses are far more common.

The California inland sea also makes an appearance in my drafted-but-not-yet-finished novel The Savior Virus, and though the short story and the novel don’t share any characters, both works take place in the same fictional world. The levy system that prevents flooding of the bay delta during surges is somewhat precariously maintained, and sustained sea level rise of just a few feet could turn the Sacramento Valley into an inland sea, just as it was during the Great Flood of 1862, and before that as described by Native Americans.

Upcoming Posts
  • The Benefits of Negative Visualization
  • Shared Location Tracking Among Bay Area 11-Year-Olds as a Security Measure
  • Gaming Update

 

Rethinking Book Marketing, and Some Quotes from Reviewers

A 1970’s artist depiction of a ringstation (from https://settlement.arc.nasa.gov/70sArt/art.html).

Becoming a published science fiction author was a jubilant moment for me, and I coasted on that high for a long time.

But of course everything that goes up must come down. I’ve found my mood and attitude regarding my nascent writing career to be significantly less jubilant now that I’ve struggled with the problem of how to sell more books.

Word Craft #8: Brian Pinkerton

I’m fascinated by how one aspect of an author’s writing process can influence others. Brian Pinkerton writes first drafts by hand, which is probably why he doesn’t do any revisions until his first draft is complete. He maps out his novels using note cards, which is something I’ve always wanted to do but I never seem to have enough table space. 

Word Craft is a deep dive into writer’s methods and practices. Please welcome Brian Pinkerton, author of The Gemini Experiment!

ABOUT THE AUTHOR – BRIAN PINKERTON

Brian Pinkerton deep in plotting mode.

Tell us a little about yourself and what inspired you to become a writer.

I’ve always been fascinated by stories and storytelling. My earliest aspirations were to be a cartoonist and book writer. I wrote my first novel when I was very young. I enacted the entire plot with the Fisher Price Little People Village and then wrote it all down as quickly as I could remember it. I still have that manuscript somewhere. It was written on lined, three-hole-punch paper. The pages were tied together with string.

The Icelandic Cure – My First Book In Print


In June of 2016 we took a short family trip to Europe, visiting my dad in France and doing some genealogy research in a small town in Italy with my mom. An unexpected highlight of the trip was a two-day stopover in Reykjavik. The cheap flights on WOW airlines lured us in, but arriving in Iceland’s capital on the day of their historic Euro cup tie with Portugal got us into the national spirit.

Something about the city must have stuck with me. On our return I wrote a investigative sci-fi thriller set in Reykjavik. I submitted the story to the Omnidawn Fabulist Fiction contest, and to my surprise it won.

This is a strong, thoughtful story that inspires hope for the future, curiosity about medical progress, and sheer terror at what might be done in its name.—Publishers Weekly

If you enjoy philosophical, plausible science fiction, I think you’ll enjoy this story. Please do me a solid and pick up a copy (or more, for friends and family). “The Icelandic Cure” is now available for purchase directly from Omnidawn, or via Amazon. And if you’ve already read the book, please take a few seconds to rate it on goodreads or amazon.

Moyer’s research into neurology and gene therapy gives Jane a credible persona. Her intellectual progress as she unearths fragments of the mystery is lovingly tied to the ever-greater—and ever more crucial—questions of self-determination. . . . Jane writes, “Who wouldn’t fix a genetic flaw or two if they could?” Beyond the human desire for personal improvement, the consequences of this technology involve systemic corruption and the preservation of our right to choose.—The Arkansas International

Speaking of plausibility, recent events made me wonder if my writing might be a little too plausible. My recently-published story “Plastic Eater” (2nd place winner of the sfreader.com contest) appears to be unfolding in real life.

One note–if you do purchase the chapbook, please retain your proof of purchase (email receipt or other) for reasons I’ll explain in a forthcoming post.

Thank you!

New Published Story “The Fo’dekai Artifact”

My science fiction short story “The Fo’dekai Artifact” appears this month in the web magazine Cosmic Roots And Eldritch Shores. This is my second fiction sale at a professional rate, doubling my number of published stories and bringing me two-thirds of the way towards joining the SFWA as an active member (which bestows the privilege of voting on works for the Nebula award, among other things).

The story has shades of Cthulhu/Lovecraft, featuring a race of mind-controlling squid-like aliens, but is primarily a science fiction tale that explores one way an expansionistic civilization might spread throughout the galaxy (without giving too much away: tiny ships, storing information in an infectious DNA-like molecule). Thematically, it’s a story about which class and cultural groups might be more open to the possibility of alien immigration/invasion, and why.

Cosmic Roots And Eldritch Shores charges a modest $1/mo. annual subscription fee (sign up for 2017 here). Well worth it, if you’re a fan of short science fiction and fantasy.

Reference photo: “Underwater Dance” the Russian photographer Willyam Bradbury Stock Providers: “Octopus” http://www.deviantart.com/art/Octopus-473740570 by Kayla Ascencio http://www.kaylafantasyart.com/fantasygallery.html “octopus”  http://mysilentsky-stock.deviantart.com/art/octopus-31560066 and “Tentacles 2”  http://mysilentsky-stock.deviantart.com/art/tentacles2-31560216?q=&qo= by Guyang   http://mysilentsky-stock.deviantart.com/ “Octo ll” http://idnurse41.deviantart.com/art/Octo-II-136435437 and “Octopus Stock”   http://www.deviantart.com/art/Octopus-stock-136411455 by Pamela   http://idnurse41.deviantart.com/

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