science fiction author, beatmaker, against fascism

Category: Creative Work/Career Page 17 of 24

Goals Are For Soccer? (Reevaluating Goals vs. Systems)

Should the idea of goals be left on the field?

Should the idea of goals be left on the field?

Recently my friend Will Spencer sent me this article by Scott Adams (of Dilbert fame). Part of the article is a cautionary tale against listening to advice from successful people re: their methods (for example “follow your passion”). The rest of the article focuses on why Adams prefers systems over goals. “Goals are for losers,” writes Adams, pointing out that the majority of time for a goal-oriented person is spent in a “not yet successful” mindset (having not yet achieved their chosen goal).

I agree with Adams that we should be skeptical of career/success advice and self-help books. For every millionaire who made money on real estate, there are probably at least a dozen who lost their shirt (and didn’t write a book). As for “following your passion,” I had already considered the arguments against (a major theme of Cal Newport’s excellent Study Hacks blog), and generally found them to be lacking. Adam writes that when he worked at a bank, he was advised to avoid loaning money to small business owners who were following their passion; those types of businesses almost always went bust. Good advice, probably, and Newport’s advice on Study Hacks is also mostly sound; I completely agree with his emphasis on deep focus, hard work, effective systems, and attempting to live a meaningful, interesting life.

But for some people (like myself) there is no real choice when it comes to following your passion. If I didn’t, I would literally die of boredom (or at least accelerate my demise; I quickly get despondent and depressed if I am not actively and intensively pursuing writing, music production, and other creative endeavors). I made the choice in my twenties to follow my passion (start a music label and spend most of my time making dance tracks); I would earn money via IT freelancing on an as-needed basis. For me it has worked out so far. Not only is my soul intact, but I have significant savings, passive income streams (music royalties), and plenty of freelance work. Maybe, as Adams suggests, I’m still passionate about making music because I’ve had some success in that area. Certainly it’s nice to have a “win” in your field (money, a good review, a track in the charts, praise from fans, whatever). But most of the time, I create because I feel compelled to create. So my advice to anyone who asks is still to follow your passion. Just expect hard work and be realistic about how you’re going to pay the bills (and yes, you should be skeptical about my advice as well).

So that covers the first part of the article. The second part; where Adams argues against goal setting, made me think. I had never considered goal-setting to be opposed to a systems-based approach, and considered both to be useful tools (or, more accurately, I considered goal-setting to be part of my system).

In my own recent experience, setting and working towards a challenging goal was a positive, empowering experience. I didn’t feel, as Adams writes, that I was in a state of “near-continuous failure” because I hadn’t yet reached my goal. Rather, I felt like I was steadily working towards an important milestone. And that felt great.

But still, reading the article by Adams made me doubt my approach. Did setting the goal lead to success, or was it the system of daily effort that really made the difference? According to Adams I’d be better off tossing out the goal and keeping the system.

Adding fuel to this fire of doubt was the fact that after achieving my most recent major goal (completing the first draft of a novel), I floundered for a couple months. I knew I needed some time away from the manuscript before jumping into revisions, but it didn’t feel appropriate to set another major goal that wasn’t related to the book (after all, all I had was a first draft … I hadn’t actually completed anything yet).

After letting the question simmer in the back of my mind for a few weeks, here’s where I am at the moment:

  • in the long run, systems are more effective than goals (and habits, or actualized systems, are the most effective)
  • goal-setting can still be useful tool, especially if you are trying to create a new pattern in your life, and change the direction of your inertia
  • goal-setting is less helpful in life areas that require regular good habits and/or systems for ongoing success (for example physical health and fitness, unless you are training for a competition or something like that)
  • it’s not necessary to have a main life goal all the time; it is important to know where you are going (life purpose, and a clear vision of what you want your life and/or the world to look like)

You could accuse me of over-thinking this process, and you might be right. But the “tweaks” I make to my life system have real and immediate effects (to my productivity and happiness, to the quality of work I produce, to my ability to help others and make the world a better place).

How has goal-setting helped you? When has it felt awkward and contrived? What are your most effective life systems?

Is Grandiosity a Prerequisite for Greatness?

Young Franzen's grandiosity turned out to be predictive.

Young Franzen’s grandiosity turned out to be predictive.

Just a quick shower thought this morning, something that occurred to me while thinking about Jonathan Franzen’s article/excerpt from The Kraus Project (about Austrian satirist Karl Kraus):

But Kraus had changed me. When I gave up on short stories and returned to my novel, I was mindful of his moral fervour, his satirical rage, his hatred of the media, his preoccupation with apocalypse, and his boldness as a sentence-writer. I wanted to expose America’s contradictions the way he’d exposed Austria’s, and I wanted to do it via the novel, the popular genre that Kraus had disdained but I did not. I still hoped to finish my Kraus project, too, after my novel had made me famous and a millionaire.

What struck me about the passage was Franzen’s confession of grandiosity as a young writer. In Franzen’s case his younger self’s grandiosity turned out to be predictive, but obviously there are far more grandiose young writers who do not become rich and famous (or even moderately successful). So what’s the relationship between grandiosity and greatness? None at all?

I’m trying this hypothesis on for size: grandiosity is a prerequisite for greatness.

Obviously there are many prerequisites for achieving anything even remotely great (as measured by popular appeal, universal appeal across cultures and generations, influence on thinking and the direction of a field, pleasing critics — however you want to define the term). Most would agree that some degree of natural talent is required, as is a cultural context of support (encouraging parents, mentors, access to equipment/gear/materials/information), a diligent work ethic, perseverance, and of course luck. I’d argue that grandiosity is an additional prerequisite, just as important as the others. Grandiosity is simply the conviction that you might be able to achieve something great before you have actually done so.

Is grandiosity only the expression of such a conviction? I don’t think so. If the conviction exists without being expressed, it’s simply silent grandiosity (the best kind). The strong ego is still there. Ego in this case is a good thing, a strong sense of I does not necessarily make someone egotistical. Without a strong ego, without the conviction that the work might lead to something worthy, there’s not chance of greatness. Instead the result is no work at all, or dabbling, or unambitious projects. Thinking small.

What about the artist/creator who sees themselves as a channel for some higher force? “I just get out of the way and the art flows through me.” Fine — whatever works — but the strong ego is still there (in the channeler/conduit role, if not originator).

So how should a person deal with these feelings, the conviction that something great might be achieved, with enough sweat equity? Here’s my take on it:

  • Keep the feeling to yourself. Don’t talk about what you plan to do, refer to only what you have done (and then only when asked).
  • Be in on the joke. The odds are against you. You’re probably wrong. Most people don’t achieve anything great. So what?
  • Focus on the things you can control. You can’t control your natural talent or your cultural background. You can control what you focus on (choose an area where you have some talent!), your practice/work habits, your perseverance, and your internal convictions.

The paradox is that the ego actually gets in the way when you’re doing the work. For creative work you need to be in touch with the subconscious and perceptual and empathic parts of the brain (at least in order to create anything interesting). Thinking about achievement and goals and how the work will be judged is a terrible distraction. But the ego plays a role in organizing and allocating the resources that allow the work to happen and continue (time, money, career), and the ego needs the promise of rewards. Without the conviction that there are rewards to be had (grandiosity), the ego might shut down the work.

The key thing to remember? Without a little grandiosity (hopefully not the obnoxious kind), there is 0% chance of achieving anything great. So cherish your illusions/delusions of grandeur. And keep working.

One Goal To Rule Them All

Apologies to Tolkien.

Apologies to Tolkien.

For the last fourteen months I’ve been practicing a new form of goal setting:

  1. Have only one goal at a time, that closely aligns with life purpose.
  2. Set an “evaluation date” for the goal (a deadline, more or less).
  3. Set up a reward for completing the goal, and a “kick-in-the-butt” motivator if needed.

My most recent goal was to finish the first draft of my sci-fi novel. I didn’t finish by my evaluation date (June 30th) which led to a kick-in-butt motivator of no alcohol until the draft was complete. (I did finally finish. Kia read it in two days; at least for one person the book is a page turner.)

I’ve refined the one-goal system considerably since I’ve started, so I thought it might be a good time to share my mistakes, missteps, and adjustments along the way (including how my goal-setting led to a mid-life crisis).

Keeping a Daily Writing Log

Picture unrelated to post (except in a feeling kind of way) ... mostly I'm just into the photography of Luis Hernandez right now.

Picture unrelated to post (except in a feeling kind of way) … mostly I’m just into the photography of Luis Hernandez right now.

Recently I read two posts that approach the same problem from different directions; how do you get to a different place in your career (or develop a new career) when you are far away from your goal? Pavlina talks about the cumulative effects of daily habits, while Newport talks about the false narrative of courage in relation to career changes (hard work, persistence, and planning are more relevant).

With the same topic in mind, I’d like to share the initial results of a new habit of my own,  keeping a daily writing log (inspired by Phil Jourdan).

Why Breaks Are a Bad Idea

Feel the burn every day.

Feel the burn every day.

I’ve been working on a new novel (if you’ve been wondering why my recent posts have been shorter, that’s the reason). It’s my third attempt at a novel, and hopefully I’ll be happy enough with the results to seek publication. Writing 5-6 days/week is difficult, but also extremely rewarding.

So here’s my realization. It had been a couple years since I stopped working on most recent novel before this one, an alternative-biology mystery. I wrote it without an outline or ending in mind (big mistake for a mystery!), and the end result was filled with plot holes and continuity errors. It’s probably fixable, but after a couple rewrites I decided I was better off taking a short break and starting a new novel project (this time with a proper outline).

Well, that short break stretched into two-and-a-half-years. Which is about the same amount of time between my first attempt at a novel (an adventure story that tried to cram every idea I’d ever had into it; after finishing it I realized I had better just start a blog to give myself a proper firehose outlet). And I had the same stupid idea too — give myself a “short break” before starting the next project.

So I figured out why that doesn’t work.

Page 17 of 24

Powered by WordPress & Theme by Anders Norén