sci-fi author, beatmaker

Category: Writing Page 4 of 18

The Guardian Book Launch, and a New Published Story

Thank you so much to everyone who came out to East Bay Booksellers in Oakland for the launch of The Guardian! We had a full house, the books sold out, and I think I’m getting marginally better at reading my own work (despite some minor microphone malfunctions). Wine, cookies, and pretzels were consumed, books were signed in gold sharpie, and — as far as I could tell — a good time was had by all.

Reviews so far are great, at least in terms of average ratings. I could definitely use more reviews; as of today I only have nine reviews on Goodreads and three reviews on Amazon. If you’ve read The Guardian please take a second or a few minutes to leave a rating or review (both appreciated, including short one sentence reviews). As I’ve acknowledged before, writing reviews is much harder than it feels like it should be, so I will definitely owe you one if you write me a review (feel free to cash in if you need me to water your cat or walk your plant while you’re on vacation).

Reclaimed Earth

The Guardian is exactly what I’m hoping for when I pick up a sci-fi novel – richly descriptive worlds; the scientific elements are advanced and incredible but written in such a way to be plausible and the interesting, generally sympathetic cast of characters are thrust into situations which are exciting and thought-provoking. – Karen Cole (Hair Past a Freckle Book Blog)

If  you’re not familiar with my Reclaimed Earth science fiction series, here’s a blurb to give you taste of what’s going on:

In the year 2737, Earth is mostly depopulated in the wake of a massive supervolcano, but civilization and culture are preserved in vast orbiting ringstations. Tem, the nine-year-old son of a ringstation anthropologist and a Happdal bow-hunter, wants nothing more than to become a blacksmith like his uncle Trond. But after a rough patch as the only brown-skinned child in the village, his mother Car-En decides that the family should spend some time on the Stanford ringstation. Tem gets caught up in the battle against Umana, the tentacle-enhanced ‘Squid Woman’, while protecting a secret that could change the course of humanity and civilization.

I’ve had some generous reviews from book bloggers, including Karen Cole who writes: “The Guardian is exactly what I’m hoping for when I pick up a sci-fi novel – richly descriptive worlds; the scientific elements are advanced and incredible but written in such a way to be plausible and the interesting, generally sympathetic cast of characters are thrust into situations which are exciting and thought-provoking.”

The Sacramento Sea

My first ever cli-fi story The Sacramento Sea was just published in Issue #14 of Into the Ruins, a deindustrial/post-industrial/economic collapse magazine edited by Joel Caris. Whether you’re an optimist or a pessimist regarding the fate of humanity (or the fate of humanity’s ongoing “civilization” experiment) it’s useful to imagine collapse scenarios. It’s useful because they are continuously happening (Puerto Rico, Haiti, the U.S. Executive Branch), even if your part of the world is peaceful and overflowing with abundance. My short story imagines a devastating, isolating local environmental collapse in California as the rest of the world continues business as usual. That seems to be the way these things often play out. Of course global economic and/or environmental collapse is possible (and some would say probable), but localized collapses are far more common.

The California inland sea also makes an appearance in my drafted-but-not-yet-finished novel The Savior Virus, and though the short story and the novel don’t share any characters, both works take place in the same fictional world. The levy system that prevents flooding of the bay delta during surges is somewhat precariously maintained, and sustained sea level rise of just a few feet could turn the Sacramento Valley into an inland sea, just as it was during the Great Flood of 1862, and before that as described by Native Americans.

Upcoming Posts
  • The Benefits of Negative Visualization
  • Shared Location Tracking Among Bay Area 11-Year-Olds as a Security Measure
  • Gaming Update

 

How It Feels to be a Novelist

With the pending release of my second novel this week (The Guardian comes out Sep. 26th on Flame Tree Press), my emotions are in turmoil. I’ll just go through them, as a way of clearing my head, and maybe my emotional laundry list will offer insight to those of you also on the writing path, or entertain those of you who enjoy knowing how the sausage is made.

Flash Book Sale, New Interview, and Beautiful Leia

99 cents today only (Kindle version)

Science fiction deal seekers, today is your day. My debut, four-star-reviewed novel The Sky Woman is available on amazon and elsewhere for 99 cents. Yep, less than a buck. Grab it here (Kindle version). For you whale readers, it’s Book 1 of the Reclaimed Earth series (Book 2 is out next month, and I’m outlining Book 3).

Word Craft #9: Spencer Ellsworth

Spencer Ellsworth generously volunteered his time as my SFWA mentor and taught me a thing or two about the publishing business. Like me, he’s a fan of Octavia Butler. Unlike me, he’s writing from 4:45am to 6:45am, hours in which I prefer to be soundly asleep.

Word Craft is a deep dive into writers’ methods and practices. Please welcome Spencer Ellsworth, author of The Great Faerie Strike (just released on Aug. 5th) as well as The Starfire Trilogy.
-J.D.

ABOUT THE AUTHOR

Tell us a little about yourself and what inspired you to become a writer.

A little bit… Well, I sometimes dream of climbing on a war mammoth and forging a path northward, where the sky lights up from the battles of the gods. That good?

Seriously, I’m one of those who always wrote. I made picture books before I could string sentences together. I have a vague memory of working on an Ewok story at age 5, sitting in church with my family penning an epic sequel to that unappreciated cinematic gem The Battle For Endor.

Using Duotrope to Track Fiction Submissions

For the past few months I’ve used Duotrope to track my fiction submissions to various markets. Previously I was using Google Sheets, with different sections of one large spreadsheet to track stories and submissions, markets, and responses. The sheet worked great for a long time, but once I had over twenty stories, hundreds of responses from publishers, and dozens of markets to track, the spreadsheet solution became unwieldy. I started to miss things, and in one cases submitted a story twice to the same publisher. I also started to submit fewer stories, simply because of the difficulty in using the spreadsheet. Time for a new solution!

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